The example of the Tian'anmen photographs is very clear the reader affects the photograph in its connotation . We were already talking about an emission context time and place of creation. However on the other hand there is what we could call a reception context that would imply from where and when a photo is observed. the reading season Regarding time sometimes we forget that we are the product of an era that we see the world from our own social cultural historical political and of course aesthetic context. For example today we see the images of Julia Margaret Cameron or those of Diane Arbus differently. Julia Margaret Cameron.
Ellen Terry at Age Sixteen Portrait Bequest of Guy Little. Victoria and Albert Museum e-commerce photo editing London Julia Margaret Cameron. Ellen Terry at Age Sixteen Portrait Bequest of Guy Little. Victoria and Albert Museum London in their time. The first due to the supposed formal errors that she made when taking photographs with the wet collodion process at the end of the th century. In the case of Arbus the photographer challenged the boundaries of what could or could not be photographed.
The Estate of Diane Arbus Spatial considerations and it's not science fiction The space where a photograph is appreciated definitely alters it. Seeing the cover of a gossip magazine in a newsstand or in the comfort of your home is not the same as reading the same image in a museum or gallery. The spatial context alters the image. When we are in a museum we think that we are seeing art and that we must decipher the pieces according to their aesthetic possibilities.
发表于 2022-9-21 19:30:33
